Explanation of LOC ClassificationThe Library of Congress classification system was designed for the purpose of cataloging the collection of the United States Congress. Over time many other institutions (particularly academic libraries) have adopted the system as well.
To show how it works, we’ll use the book
Archaeological ceramic materials: origin and utilization. Its call number is CC79.5.P6V45 1999.
Breaking down the classification system:
1. All fields of knowledge are divided into 21 basic categories or classes, each designated by a letter. In our example call number, the first “C” tells us that the book belongs to the “Auxiliary Sciences of History” class.
2. The classes are then subdivided into more specific categories, called subclasses, which are indicated by two or three letter combinations. In our example, the combination “CC” indicates that the book fits into the “archaeology” subclass.
3. Within subclasses, even more specific topics are arranged from the general to the specific. These topics are then assigned a numeral or range of numerals. The “79.5” in our example fits into the range “CC 73-81”, which indicates that the book is about methodology in archaeology.
4. The call number is then further delineated by adding decimals, letters, and additional numbers – eventually leading the researcher to the exact book for which he is searching.
For a more complete explanation and a list of classes/subclasses, consult:
http://www.loc.gov/catdir/cpso/lcc.htmlhttp://www.loc.gov/catdir/cpso/lcco/LOC Classes and Subclasses frequently used by artists, musicians, art historians, etc.This is a sample of classes and subclasses that are familiar to artists, art historians, musicians, and so on. We have included sample books from these classes and subclasses to demonstrate how they fit into the LOC scheme.
Class: C - Auxiliary Sciences of History - Subclass CB: History of Civilization
- CB71.G73 1860 The history of civilization, from the fall of the Roman Empire to the French revolution (1860) by F. Guizot; translated by William Hazlitt
- Subclass CC: Archaeology
- CC83.A73 2007 Archaeology to delight and instruct :active learning in the university classroom (2007) eds. Heather Burke and Claire Smith.
- Subclass CD: Diplomacy. Archives. Seals
- CD 921-4280: Archives
- CD945.E93 A basic glossary for archivists, manuscript curators, and records managers (1974) Frank B. Evans, Donald F. Harrison, and Edwin A. Thompson, compilers, and William L. Rofes, editor
- CD 5001-6471: Seals
- CD5344.C58 2005 First impressions :cylinder seals in the ancient Near East (2005) Dominique Collon
- Subclass CN: Inscriptions. Epigraphy
- CN30.D45S74 2002 Ancient inscriptions (2002) William Stenhouse
Class: D - History
- DT77.G65 2008 A brief history of Egypt (2008) Arthur Goldschmidt, Jr.
Class: E - History of the Americas - E 78.G73 P56 2007 Plains village archaeology: bison-hunting farmers in the central and northern Plains (2007) ed. Stanley A. Ahler and Marvin Kay
Class: F - History of the Americas - F591.B94 2008 The American West :a concise history (2008) Anne M. Butler and Michael J. Lansing
Class: G - Geography. Anthropology. Recreation
- Subclass GV: Recreation. Leisure
- GV 1580-1799.4: Dancing
- GV1585.L65 1997 Modern dance terminology (1997) Paul Love
Class: M - Music
- Subclass M: Music
- M1.F192 1891 Famous composers and their works :musical selections (1891) edited by Theodore Thomas
- Subclass ML: Literature on Music
- ML196.B38 2007 Prometheus in music :representations of the myth in the romantic era (2007) Paul A. Bertagnolli
- Subclass MT: Instruction and Study
- MT5.5.G2613 1993 The theory of music (1993) Franchino Gaffurio ; translated, with introduction and notes, by Walter Kurt Kreyszig ; edited by Claude V. Palisca
Class: N - Fine Arts
- Subclass N: Visual Arts
- N5300.J3 2007 Janson’s history of art :the western tradition (2007) Penelope J.E. Davies, et al.
- Subclass NA: Architecture
- NA200.M575 2008 A world history of architecture (2008) Michael Fazio, Marian Moffett, Lawrence Wodehouse
- Subclass NB: Sculpture
- NB60.A4 The Greek tradition in sculpture (1930) by Walter Raymond Agard
- Subclass NC: Drawing. Design. Illustration
- NC70.D7 1998 Drawing, 1400-1600 :invention and innovation (1998) edited by Stuart Currie
- Subclass ND: Painting
- ND53.E93 2005 The painted world :from illumination to abstraction (2005) Mark Evans
- Subclass NE: Print Media
- NE25.S56 2002 Dictionary of printmaking terms (2002) Rosemary Simmons ; drawings by Jane Stobart
- Subclass NK: Decorative Arts
- NK30.M525 2003 Miller’s antiques encyclopedia (2003) editor, Judith Miller
- Subclass NX: Arts in General
- NX50.P43 The Performing arts :music and dance (1979) editors, John Blacking, Joann W. Kealiinohomoku
Class: T - Technology
- Subclass TH: Building Construction
- TH17.H48 1996 Arches, vaults, and buttresses :masonry structures and their engineering (1996) Jacques Heyman
- Subclass TN: Mining Engineering. Metallurgy
- TN 950-997: Building and Ornamental Stones
- TN967.N38 1992 Natural stones :marbles and granites from all over the world (Lucca, Italia :Studio Marmo, 1992)
- Subclass TR: Photography
- TR9.O94 2005 The Oxford companion to the photograph (2005) edited by Robin Lenman
- Subclass TS: Manufactures
- TS 200-770: Metal manufactures. Metalworking
- TS213.H66 2007 Metal forming :mechanics and metallurgy (2007) William F. Hosford, Robert M. Caddell
- TS 800-937: Wood technology. Lumber
- TS880.E36 1996 Eighteenth-century furniture (1996) Clive D. Edwards
- TS 1300-1865: Textile industries
- TS1445.D26 1983 Fundamentals of textiles and their care (1983) Susheela Dantyagi
- Subclass TT: Handicrafts. Arts and crafts
- TT28.C73 2004 The crafts of Mexico (2004) ed. Margarita de Orellana, Alberto Ruy-Sánchez ; guest editor, Eliot Weinberger
Additional LOC classes and subclasses that may be relevant to arts researcherThe following is a listing of science and technology classes and subclasses that are not only helpful for art librarians to familiarize themselves with subject areas outside of their comfort zone of the humanities and to aid the arts researcher whose work span disciplines into areas traditionally reserved for science and technology. We have included some ideas of what our typical users might use these classes for.
Civil Engineering: for Architecture, building large-scale art-noveau sculptures, large scale outdoor works, earth works, construction, or structures in general.
Class T, Technology - Subclass T: Technology, General
- T351-385 Mechanical drawing. Engineering graphics
- T385.A42: 3D game art :f/x & design (2001) by Luke Ahearn
- Subclass TA: Engineering (General); Civil Engineering
-
- TA703-712 Engineering geology. Rock mechanics. Soil mechanics and TA715-787 for things like Earthworks
- TA710.L548: Soils and foundations (2008) by Cheng Liu and Jack B. Evett
- Subclass TH: Building Construction
- TH7700-7975 Illumination. Lighting
- TH7703.K27: Lighting design basics (2004) by Mark Karlen and James R. Benya
- Subclass TJ: Mechanical engineering and machinery
- TJ227-240 Machine design and drawing
- TJ230.H328 1999 Practice of machine design (1999) Yotaro Hatamura ; translated by Yoshio Yamamoto
- TJ1501-1519 Sewing machines
- TJ1507.C6 1976 The sewing machine :its invention and development (1976) Grace Rogers Cooper
Materials Science: for a
rchitecture, sculpture, ceramics, welding, building anything
Class T, Technology Subclasses
: TA Engineering (General). Civil Engineering; TN Mining Engineering. Metallurgy
We've focused here on TP.
- Subclass TP: Chemical Technology
- TP785-869 Clay industries. Ceramics. Glass
- TP788.B73: Dictionary of glass :materials and techniques (2001) by Charles Bray
- TP890-933 Textile bleaching, dyeing, printing, etc.
- TP890.T34: Textile dyer & printer (periodical)
- TP934-945 Paints, pigments, varnishes, etc.
- TP935.T25: Paint technology handbook (2008) by Rodger Talbert
Computer Science: for anything to do with virtual worlds, digital art, digital music, electronic literature, hypermedia, new media
Class Q, ScienceSubclass QA.
*
See User Scenario focusing on Computer Science.
Mathematics: for building, design, music, drawing, so much more.
Class Q, Science - Subclass QA, Mathematics
- QA19.M87H37: The math behind the music (2006) by Leon Harkleroad
Human Anatomy/Biology: studying the human form
Class Q, Science - Subclass QM: Human Anatomy
- QM7.O96 2001 The Oxford companion to the body (2001) ed. Colin Blakemore and Sheila Jennett
- Subclass QP: Physiology
- QP321.M127 2006 Skeletal muscle :form and function (2006) Brian R. MacIntosh, Phillip F. Gardiner, Alan J. McComas
Telecommunication: Video, radio, television, communication etc.
Class T, Technology - Subclass TK: Electrical engineering. Electronics. Nuclear engineering
- TK5101-6720 Telecommunication, including telegraphy, telephone, radio, radar, television
- TK5101.A1C755: Telecommunication, teleimmersion, and telexistence (2003) edited by Susumu Tachi
- TK8304.J67: Photoconductivity :art, science, and technology (1990) by N.V. Joshi
- TK6680.5.W55: New digital cinema :reinventing the moving image (2005) by Holly Willis
- TK7881.4.C5: Mixing, recording, and producing techniques of the pros (2006) by Rick Clark
Chemistry, organic and inorganic: Conservation/preservation; painting, pottery, etc.
Class Q, Science - Subclass QD: Chemistry
- QD541.T63 Solubility and solvents for conservation problems (1975) Giorgio Torraca
Physics: for more in-depth studies of music, mechanics, construction
Class Q, Science - Subclass QC: Physics
- QC225.15.R67 2002 The science of sound (2002) Thomas D. Rossing, F. Richard Moore, Paul A. Wheeler
User ScenariosThis section provides some sample situations in which an arts researcher may find him- or herself needing science and technology resources.
Scenario AThis user is working on her PhD in Art History. In the course of her research, she becomes increasingly aware of the issues of conservation, preservation, and restoration of art. She wants to have a deeper understanding of the techniques involved in these processes not only to give her a fresh perspective of the art she is studying, which may have been restored or may need to undergo conservation, but also so she can learn what it is conservers, restorers, and preservers of art really do, as she is considering that line of work for herself.
There are many books on conservation, preservation, and restoration in art libraries that would be helpful for this user, such as:
- Bakkenist, Tonnie, Rene Hoppenbrouwers, Hélène Dubois, eds. Early Italian paintings:techniques and analysis. Maastricht, Netherlands: Limburg Conservation Institute,1997. ND1635.E37 1997 (Painting)
- Studying and conserving paintings :occasional papers on the Samuel H. Kress Collection. London: Archetype Publications, In association with the Conservation Center of the Institute of Fine Arts, New York University, 2006. ND614.S88 2006 (Painting)
- Stulik, Dusan, et al. Solvent gels for the cleaning of works of art :the residue question. Valerie Doge, ed. Los Angeles: Getty Publications, 2004. N8560.S7 2004 (Visual Arts)
However, she would greatly benefit from turning to libraries focused on engineering and the sciences. This user is specifically interested in paintings, and therefore she would profit from an understanding of the chemical properties of paint. Also, people in the fields that this user is interested in often use x-rays or lasers to see what is beneath the paint; the user would therefore benefit from a better understanding of these techniques. Therefore, she might find these books helpful:
- Lifshin, Eric, ed. X-ray Characterization of Materials. New York: Wiley-VCH,1999. TA417.25.X72 1999. (Engineering (General); Civil Engineering)
- Sheppard, Colin. Confocal Laser Scanning Microscopy. New York :Springer, in association with the Royal Microscopical Society, 1997. QH224.S49 1997. (Natural History – Biology)
- Turner, G.P.A. Introduction to Paint Chemistry and Principles of Paint Technology. New York :Chapman and Hall,1988. TP935.T8 1988. (Chemical Technology)
Scenario BThe sample user is a professional sculptor who has been commissioned to create a prominent outdoor sculpture to be placed in front of his local courthouse. Although the artist is familiar with the creation of small, indoor sculpture, he wishes to research appropriate materials and treatments to create and maintain a long-lasting outdoor sculpture.
Initially, the sculptor would likely consult works with a fine arts emphasis, such as those under subclass
NB 1330-1685, which is classified as sculptural monuments. A quick search brings up many great resources, including a book titled
Sculptural Monuments in an Outdoor Environment: a conference held at the Pennsylvania Academy of the Fine Arts, Philadelphia, November 2, 1983 (call number
NB1230.S38 1985).
However, given his interest in the effects of weather and wear on the sculpture, he would also benefit from searching under subclass
TA (Engineering – General and Civil Engineering) as well as subclass
TN (Mining Engineering – Metallurgy). Subclass TA, for example, brings up the book titled
Corrosion handbook : corrosive agents and their interaction with materials, edited by Gerhard Kreys (call number
TA418.74.D43 2004). A search in subclass TN results in another useful result:
Chemistry and Technology of Lime and Limestone, by Robert S. Boynton (call number
TN967.B73 1980). These books are two of many resources that would provide a scientific look at how the environment might affect the sculpture he creates.
Scenario CThis user is an art student who is interested in using computers to create art. The user is especially interested in software, random generation, and digital art.
I would recommend this user start by looking at both the mathematics and computer science section of the LOC classification system, which is
QA (QA is mathematics;
QA75-QA76 is computer science) section of the system. Another section they might want to consider is
N7400, which covers digital art. N7400 is not the only place information on digital art can be found, often what the art sets it to accomplish defines where it will be classified more than the medium.
One book that sounds particularly useful
is Processing :a programming handbook for visual designers and artists by: Casey Reas and Ben Fry.And is located in the computer science section
QA76.6.R4138 2007. Another book I might recommend as a good starting point is
Digital Art by Christiane Paul which can be located in the art section at
N72.T4P38 2003
I would remind the patron that digital art is still an emerging field and currently has no standart classification systems. I would recommend starting with eh resources I found, or with ones they find and looking through the bibliographies for books that seem useful, and compiling a list of classification numbers works they find useful appear under. This way they will be able to locate the myriad places digital art currently appears under.
Scenario DMy research scenario involves a music student studying the materials of instruments. She is interested in wood clarinets are and the benefits of certain woods over others.
Since music itself is based in science, it’s already “interdisciplinary.” Most resources having to do with pitch, vibration and physics of music already reside within the M class, and specifically in the
subclass ML. Some example books our user might look at in ML include:
- ML 946: Clarinet acoustics (1994), by O. Lee Gibson
- ML460: Musical Instrument Design: Practical Information for Instrument Making (1996) by Bart Hopkin
- ML946: The art of clarinetistry: the acoustical mechanics of the clarinet as a basis for the art of music performance (1965) by William H Stubbins
This user’s research, however, is moving beyond the shape and construction of the clarinet, to the wood itself. She wants to understand what it is about certain types of woods that make better clarinets. It’s important to know that certain types of wood respond differently to environmental factors, like temperature and humidity. Additionally, wood properties vary as to their acoustic capabilities. Thus this researcher would want to study
materials science. Some examples of books on wood might include:
- TA420: Acoustics of wood (2006) by Voichita Bucur, which has a chapter “Wood species for musical instruments”
- TA419: Timber: structure, properties, conversion, and use (1996) by H E Desch and J M Dinwoodie
- TA419: Wood-water relations (1988) by Christen Skaar
In addition, the user might also want to examine the timber industry in whichever country and time period she may later focus on. This route may then take our user into studies of economics of lumber.
Scenario EMy scenario involves a grad student conducting research on the history and use of machinery and technology in the decorative with a primary focus on the United States. She has begun her research by looking at resources pertaining to the general LOC classes for
Technology (T) and the
Fine Arts (N). But for more topic specific materials, the user would benefit from looking into resources found under the subclasses
NK,
TT,
TS and even
QA. Some of the more relevant resources I found are listed below under their respective subclasses. These resources can be used directly as well as indirectly by using the bibliographies and cited references from each listed source as further points of access to additional useful and primary resources.
Subclass: NK (Decorative Arts) - Craft in the Machine Age. New York: H.N., 1995.
Subclass: TT (Handicrafts. Arts and Crafts) - Wehrle, Louise. Fingers of Steel: Technological innovation in the United States Knitting Industry, 1850-1914. New York: Garland Pub., 1995.
- Tompkins, Ernest. The Science of Knitting: An Illustrated Reference Book of the Elementary principles of knit fabrics and machine knitting, including fundamental conventions, definitions, rules, formulas and tables, for the student, operator, manufacturer and analyst. New York: J. Wiley & Sons, 1914.
Subclass: TS (Manufactures) - Channing, Marion L. The Textile Tools of Colonial Homes: From Raw Materials to Finished Garments, Before Mass Production in the Factories. Marion, Mass., 1971.
- English, Walter. The Textile Industry: An account of the Early Inventions of Spinning, Weaving, and Knitting Machines. Harlow, 1969.
Subclass: QA (Mathematics) - Westfall, Richard S. The Construction of Modern Science: Mechanisms and Mechanics. New York: Cambridge University Press, 1977.